Update-O-Rama!

Update-O-Rama!

By Soniccouture  |  01.02.2018

Instead of resting on the laurels of 2017, we have spent the last month updating – implementing requests, fixing stuff. For you, the user.

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All updates are free and can be downloaded in your User account area.

Electro-Acoustic 1.3

  • fixed host automation
  • adds ‘Link’ switch, Play switch + Menubar
  • updated manual
  • now REQUIRES Kontakt 5.6.8 minimum

Haunted Spaces 1.1

  • upgraded NKS assignments (now 9 pages)
  • added RED PLAY button for warning about trying to move a recorded Cube path
  • Added Kontakt “physical” outputs selection for each element

 

Hammersmith Pro and LE  version 2.4

  • new and improved soft pedal algorithm.

 

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SOS Review Canterbury Suitcase

SOS Review Canterbury Suitcase

By Soniccouture  |  24.11.2017

“this is one of the best sampled Rhodes I’ve heard.. ”

“a supremely playable and dynamic instrument.”

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Not our words, but the words of Sound on Sound magazine. David Stewart tested Canterbury Suitcase for the uk based magazine, and found himself

“lost to the world for a few hours, happily improvising celestial harmonies on this supremely playable and dynamic instrument.”

He also observed that:

“I was immediately taken by its strong, pinging ‘bell’ attack, and pleased to find that both the attack and body tone remain consistent across the piano’s seven-octave range, with no dead notes, buzzes or volume dips — the mark of a well-maintained Rhodes.”

 

Thanks to David for another great review – read it in full here

 

 

 

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Scriptorium : Glissandos II

Scriptorium : Glissandos II

By Dan Powell  |  10.11.2017

 
This is an update to the original Glissandos script included in Scriptorium 10 years ago.

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Steve Tavaglione got in touch asking if it was possible to set the length of a glissando precisely, in bars or seconds, and then have the glissando end on specific pitches. So we ended up turning the original glissando approach on it’s head, and targeting the played notes rather than starting from the played notes.

This means that the glissando will end it’s glide on the note you play. I call this “Destination Mode”.

In Destination Mode you can set the length of the glissando in Beats or Seconds, and the pitch distance (in semitones) from which to start the glissando.

Gliss Pic

 


 
The original method is still included as an option, you can choose with the switch at the top right. Origin Mode is the original method in which we start the glissando from the played notes and slide infinitely away from that at a variable rate.
 
The “Sustain Mode” option also at the top right simply tells the glissando algorithm to either respond to or to ignore the sustain pedal.
 
DOWNLOAD:

You can download the script here:

Glissandos II

Works with Kontakt 5.6.8 or later.

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Electro-Acoustic – Gear Of The Year Vote Now

Electro-Acoustic – Gear Of The Year Vote Now

By Soniccouture  |  03.11.2017

Electro-Acoustic has been nominated in the MusicTech magazine annual Gear Of The Year awards. If you’re a user of EA then please go ahead and vote us up.

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Simply head over to MusicTech’s website and vote. You can vote in selected categories only, you don’t have to do them all.

VOTE HERE

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Win Our TR-909 in Sound On Sound (Now Closed)

Win Our TR-909 in Sound On Sound (Now Closed)

By Soniccouture  |  24.08.2017

Because a) we’re generous and b) we’ve finished with it, we have teamed up with Sound On Sound Magazine, to offer our mint condition TR-909 as a competition prize this month

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CONGRATULATIONS TO AMIR ALADIN FROM WARWICK, UK WHO WON THE TR-909

The five runners-up who receive Electro-Acoustic:

  • Brian Cunningham (FL, USA)
  • Hourriere Clemens (France)
  • Ciaran O’Rourke (Ireland)
  • John Purcell (CA, USA)
  • Jesús Gallego Blanco (Spain)

 

 

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