The Conservatoire Collection

EXPLORE THE SOUNDWORLDS OF THE MASTERS
The instruments of the great composers are museum pieces now ; hundreds of years old and not in playable condition.
But in recent times period instrument specialists have begun recreating our musical past in the form of reproduction instruments.
By sourcing authentic materials and using traditional techniques from the 16th, 17th and 18th centuries, incredibly accurate copies of the finest historical instruments can be produced.
These beautiful new instruments bring the soundscape of our musical past to life, showing us how incredibly diverse our modern instruments’ predecessors were. We are now able to enter into our musical heritage more faithfully, and the new palette of sounds available offers fresh inspiration for composers today.
THE BIRMINGHAM CONSERVATOIRE
Birmingham Conservatoire is an international music school and major concert venue in central England. The school is a renowned centre for Early Music ; The Early Music Programme was set up in 1991 and has led the field in introducing historical instruments and style to as many young musicians as possible for over 20 years.
Soniccouture worked with Martin Perkins, Early Music Lecturer & Instrument Curator, and Joshua Sadler, a postgraduate, who acted as consultant producers for the Conservatoire Collection project - choosing the instruments to be sampled, sourcing players and advising on the best way to sample them.
About the audio demos
For this product we invited some composers with experience in Early Music to create some demo tracks for us:
David Hirschfelder : We were thrilled that the renowned Australian film composer was able to contribute, having heard his score for Elizabeth (1998), as wel as countless other feature films. David wrote the exhilarating Rondeau a La Fondue for us, using only instruments form the Conservatoire Collection.
Guy Sigsworth : Guy has long been a Soniccouture associate, and although better known as a pop producer, he is also an accomplished Harpsichordist who studied the instrument in his earlier career. Guy performed two pieces for us :
1. Walter Leigh (1905-1942) - Harpsichord Concerto (2nd movt) - French harpsichord, using both 8' manuals. This pieces uses additional string sounds, not in the library.
2. Johann Sebastian Bach (1685-1750) - Praeludium in C sharp Major BWV 848 - Flemish harpsichord mute stop
Bernhard Willer : Bernhard is conductor, composer, pianist, and teacher in conducting at the Hochschule für Musik in Munich. Bernhard wrote several demos for us, including a John Downland piece for english Theorbo with the soprano Suzan Zeichner, and the striking Hurdy Gurdy Ensemble.
Compatibility

This is a Kontakt Player instrument. This means that you do not need to own the full version of Native Instruments Kontakt to use it. It will run as a plug-in instrument in any VST/AU/RTAS compatible host program or DAW eg: Cubase, Logic, Ableton Live, DP, Reaper, Pro-Tools etc. No extra purchase is necessary.
The system requirements to run the instrument are :
Windows® XP (SP2, 32bit) / Vista® (32/64 Bit), Windows 7® (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 2 GB RAM
Mac OS® X 10.6 or higher, Intel® Core™ Duo 1.8 GHz, 2 GB RAM.
N.B. If you already own a full version of Kontakt 4, then you can also use the instrument in exactly the same way.
Requires Kontakt 4.2.3
THE CONSERVATOIRE COLLECTION IS A KONTAKT PLAYER INSTRUMENT
DOWNLOAD THE FREE KONTAKT PLAYER
SYSTEM REQUIREMENTS :
Kontakt 4.2.3 ( or higher) or free Kontakt player
Windows® XP (SP2, 32bit) / Vista® (32/64 Bit), Windows 7® (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 2 GB RAM
Mac OS® X 10.5 or higher, Intel® Core™ Duo 1.8 GHz, 2 GB RAM.





