Wind - silent in itself, it only reveals itself sonically once it hits something.
Chris Watson talks about creating the wind recordings in Geosonics
Recordings made in the swamps of Venuezela and Madagascar.
Some of the most inhospitable recording environments of all due to the proliferation of tiny biting things.
The recordings that inspired us to first approach Chris Watson, and ultimately led to Geosonics ; the incredible drone-scapes created by vast runs of wire in natural enviroments - 'Like giant guitar strings in the landscape'
Recorded during various trips to the North Pole, Iceland and other Arctic regions, this category features incredible recording feats such as hydrophone recordings from the inside of glaciers.